宋至清代诗词中齐云山景观要素及典型景观时间演化特征
DOI:
作者:
作者单位:

作者简介:

通讯作者:

基金项目:


Landscape Elements and Time Evolution Characteristics of Typical Landscapes in Poetry about the Mount Qiyun from Song to Qing Dynasty
Author:
Affiliation:

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
    摘要:

    宋至清代齐云山相关的大量诗词极大地突显了齐云山的社会影响力和文学价值,一定程度上也反映了山岳的核心景观、典型形象及历史变迁。在人工整理统计齐云山历代诗词的基础上,结合时代背景,通过定性与定量(典型景观指数、景观典型性指数、词云图等)方法对齐云山的文化环境、景观要素、典型景观时间演化特征进行分析。结果发现:(1)诗人身份从“以本土道士、进士为主”扩展到各地官员、布衣诗人、戏曲家、书法家、地理学家等社会名士及佛教居士、道士,作者籍贯在地理分布上呈现“集中在东南区域并以徽州府为中心向周边府/路辐射”的发展特征;(2)山峰中类与云雾中类是齐云山最突出的景观元素,岩洞和风也较为明显,整体使得齐云山呈现“峰石林立、危崖耸峙、幽壑岩藏、云雾缭绕”的名山形象;(3)81处典型景观中,玄天太素宫、天门、珍珠簾分别是建筑及构筑物类、山岳类、水文类典型景观的焦点;(4)宋元时期,数量较少的山岳类典型景观奠定了齐云山发展的基础,明代数量、类型及典型性陡增的典型景观使得齐云山基本形成了完整的山岳景观格局及较具特色的名山形象,而清代虽建筑及构筑物类典型景观数量骤减,但齐云山在山岳、水文类典型景观的支撑下依旧保持较为完整的景观格局及一定的影响力。研究不仅进一步明晰了齐云山的名山文化底蕴及景观格局营建历程,强调了齐云山的历史影响力,还为其他名山向着高质量、文旅融合发展提供了山岳审美内涵挖掘和典型形象树立方式参考。

    Abstract:

    From the Song Dynasty to the Qing Dynasty, a large number of poems related to Mount Qiyun greatly highlighted its social influence and literary value, and to some extent, reflected the core landscape, typical image, and historical evolution of the mountain. Based on manually sorting out the ancient poems of Mount Qiyun, combined with the background of the times, the cultural environment, landscape elements, and typical landscape time evolution characteristics of Mount Qiyun were analyzed by qualitative and quantitative (typical landscape index, landscape typicality index, Word-Cloud, etc.) methods. The results show that: (1) the poets’ identity has expanded from “mainly local Taoist and scholar” to officials, ordinary poets, opera writers, calligraphers, geographers, and other socially famous scholars as well as Buddhist lay and Taoist from all regions. The geographical distribution of the poets’ native place shows the development characteristics of “concentrated in the southeast region and radiating to the surrounding prefectures/roads with Huizhou prefecture as the center”. (2) Mountain peaks category and cloud category are prominent landscape elements of Mount Qiyun, caverns, and wind are also more obvious, so the whole makes Mount Qiyun present the famous mountain image of “standing peaks and forests, facing cliffs, secluded valleys, and hidden rocks, shrouded in clouds and mist”. (3) Among the 81 typical landscapes, Xuantian Taisu Palace, Tianmen and Pearl Curtain are the focus of typical landscapes of architecture and structures, mountains and hydrology respectively. (4) In the Song and Yuan Dynasties, less numerous typical landscapes in Mount Qiyun laid the mountain development foundation. In the Ming Dynasty, the number, type, and typicality of typical landscapes increased sharply, which basically formed a complete mountain landscape pattern and set up a distinctive image of a famous mountain. In the Qing Dynasty, although the number of typical landscape of buildings and structures category decreased sharply, Mount Qiyun still maintained a relatively complete landscape pattern and certain influence under the support of the typical landscape of mountain category and water category. The study not only further clarifies the cultural deposits of Mount Qiyun, and its landscape pattern construction history and highlights the historical influence of Mount Qiyun, but also provides a reference for other famous mountains to find ways to excavate the aesthetic connotation and establish a typical image of the mountain, in order to develop towards high quality and integration of culture and tourism.

    参考文献
    相似文献
    引证文献
引用本文
分享
文章指标
  • 点击次数:
  • 下载次数:
  • HTML阅读次数:
  • 引用次数:
历史
  • 收稿日期:
  • 最后修改日期:
  • 录用日期:
  • 在线发布日期: 2023-11-14
  • 出版日期: