The acoustic landscape in the eight local landscapes in ancient China contains unique local historical stories and cultural implications. As one of the typical eight local landscapes, the construction of the acoustic landscape of the Eight Ancient Scenic Spots in Lanzhou has certain research value. This paper takes the Eight Ancient Scenic Spots of Lanzhou in the Ming and Qing Dynasties as the research object. Through combing and summarizing the historical documents, 48 sound scenes are collected, and their sound scene types are analyzed from three aspects: natural sound, artificial sound, and living sound. The results show that it has three characteristics in the construction of a natural sound scene: the sound of mountains and water, the voice of warblers, and swallows and the sound of climate; In the construction of an artificial sound scene, it has two characteristics: Humanistic interest sound and bell Buddha rhyme; In terms of the construction of the living sound scene, it has the characteristics of common secular sound. In addition, through the field investigation of the current situation of the sound scene of the existing relics, this paper combs out five scenic spots with complete sound scene types, two partially retained and one completely disappeared. And put forward four soundscape protection and restoration suggestions, including sound fill, enhancement of legacy soundscape, noise reduction, and standardized management, in order to reproduce the historical sound scene meaning of the Eight Ancient Scenic Spots in Lanzhou. The research results can also provide some reference value for the protection and restoration of the acoustic landscape of classical gardens in Lanzhou.