钱塘苏小小墓与杭州西湖女性风景
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何嘉丽1995年生/女/浙江杭州人/浙江农林大学风景园林与建筑学院在读硕士研究生/研究方向为风景园林理论与历史(杭州311300)

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The Tomb of Su Xiaoxiao in Qiantang and the Female Scenery of West Lake in Hangzhou
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    摘要:

    南朝名伎苏小小之墓是杭州西湖女性风景的典型代表,历代文人追思拜谒苏小小墓,共同构建了“西泠桥畔苏小小”这一形象。西泠是杭州西湖最古老的名胜之一,名人墓祠、园圃印社,文化底蕴丰厚,又以苏小小而名。苏小小文学形象依托西泠风景空间的演进而不断丰满,形成了“创作—解读—重构”的风景欣赏模式,成为人们寄情于景、借景抒情的最好例证,同时形成了具有集体认同的风景空间,所谓“景物因人成胜概”。本文试以苏小小墓为切入点,聚焦西泠之演变,其女性化风景的形成与发展,探寻情感作为风景内核的多样性特质。

    Abstract:

    The tomb of Su Xiaoxiao, a famous courtesan in the Southern Dynasty, is a typical representative of the female scenery in the West Lake. Poets of all dynasties thought back and paid tribute to Su Xiaoxiao's tomb, jointly constructed the image of "Su Siaoxiao by the Xiling Bridge". Xiling is one of the most ancient scenic spots on West Lake in Hangzhou, where there is quantities of celebrity graves, temples, gardens and the famous Xiling printing society, as well as their rich culture. The evolution of Xiling landscape space continually enriches the literary image of Su Xiaoxiao. It is forming a landscape appreciation model which is a process of creation, interpretation and renewal, also becoming the best example of people's placing the emotion in the scenery and expressing feelings through them, to form the landscape space with a public identity, namely "Humanity is the soul of a landscape". This paper tries to focus on the tomb of Su Xiaoxiao and take Xingling’s evolution as an vivid example to explore the formation and development of female landscape, pursues the diversity characteristics of emotion as the core of complex traits.

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  • 在线发布日期: 2020-09-23
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