嘉兴绮园假山之关系营造
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刘正浩1994年生/男/浙江温州人/硕士/中国美术学院硕士研究生/研究方向为风景园林规划与设计(杭州310024)

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Design Methods of the Spacial Relationship of Rockery in Qiyuan Graden in Jiaxing
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    摘要:

    嘉兴的绮园距离明代晚期江南叠石手法剧烈变革的苏州等地较远,既有明早中期的叠石(石峰)欣赏趣味,又兼具晚明叠石(山势)变革所引起的欣赏方式。本文通过研究绮园明代遗风的叠山,改变大众对江南私家园林叠山技艺的固有印象,为明代早中期叠石(绮园局部)与晚期之后(现存多数江南园林)的叠山格局及技艺提供实例。

    Abstract:

    The technique of stacking rock mountains in Qiyuan in Jiaxing City is far different from that in Suzhou City and other places that changed dramatically in the late Ming Dynasty. Therefore, it keeps both the appreciation taste of stacking rock mountains (Shifeng) in the early and middle Ming Dynasty. The change of appreciation way was caused by the change of techniques of stacking rock mountains (mountain situation) in the late Ming Dynasty. Studying the mountain-stacking style of Ming Dynasty is helpful for us to change our previous impression of the skill of mountain-staking style of private gardens in Jiangnan. This study provides an example for comparing the patterns and skills of staking skills of rocky mountain between early and middle Ming Dynasty stone-folding (part of Qiyuan) and later period (most of the existing gardens in Jiangnan).

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  • 在线发布日期: 2020-10-26
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